A 'Red' Tie Affair
January 31st,
The last day of the month finds the trio performing for the Crowne Plaza Hotel. This corporation has recently invested thousands of dollars in renovations and has hired GP3 to help celebrate the ‘Re-Grand Opening’ of the Houston facility. The hotel’s major clients and vendors will arrive in mere hours. Matthew and George arrive first to find workman feverously adjusting fixtures, painting doors, hanging plants etc.
There is a bit of apprehensiveness regarding this venue since some pretty significant details were relayed just as the guys were headed to the gig. Apparently, the event’s hostess has expectations, that while are obvious to her, are not standard for the band. Note: The members of the trio pride themselves in being able to ‘roll with the punches’ and adapt to unforeseen requests and needs that arise for the sake of any event. But this organizer assumed that the group knew the entire song catalog of Michael Bublé (seriously, she really thought this). George agrees to work up COME FLY WITH ME and some other tunes to partially satisfy the late demand.
Even more mysterious was the expectation that the trio would automatically divine that they should be wearing red ties to the venue. George received a phone call from the coordinator as he was preparing to leave for the hotel instructing him to ‘remember’ to wear the red ties. “Red ties? Did we discuss this already?” Response: “Oh, I thought you knew that all of our associates around here wear dark jackets and red ties. Do you have red ties?” “Uh…Maybe. I’ll let Matt and Lee know. We’ll see what we can do on short notice. Do you have red ties for us?” “Well the red and black are our colors-you don’t have red ties?” “We’ll try.” George in disbelief, quickly called Lee and Matthew. Normally a requirement such as this would be fairly innocuous for the guys to comply with, but to learn of this as they’re headed out the door to the performance is a bit of a challenge.
Matthew stops off at a nearby Macy’s to use a gift card from his mom that he’s been carrying around since Christmas. He picks up a beautiful silk tie. Being in a mischievous mood, George is considering taking a red marker and a straight edge to draw a tie on his white shirt –but gratefully the thought passes quickly. Lee’s tie doesn’t even attempt to be compliant. It’s got a print of some ponies grazing in a pumpkin patch or something. George admires Lee’s fashion sense of ‘Stickin’ it to the Man’ or rather ‘Stickin’ it to the Hotel’.
The ballroom for the celebration is
elegantly lit.
Ice sculptures abound positioned below spherical
paper lanterns. The room is all a buzz with
workers putting on the last minute touches. A
team of audio visual technicians are testing
projection screens. The trio has been provided a
large platform stage to set up on. “Wow! This
stage is huge!” This enthusiasm is quickly
squelched as it’s learned that over ½ the
platform has been allocated to a
giant raffle tumbler for the
door prizes later in the evening.
To accommodate the large ballroom, the boys have brought with them for the first time the ‘Big Sound System’. This equipment has plenty of firepower for this size event, but it’s more complicated than the small set-up the guys usually take with them. Cords are strewn everywhere - the stage looks a lot like a plate of oversized spaghetti in a wind storm. After a few minutes of cord and wire wrangling, Lee’s patience has expired. He transforms into a drill instructor barking his ‘requests’ to Matthew and George. His frustration is increased as he is forced to deal with George and Matthew’s ineptitude of ‘all things sound related’. These two try to accommodate him by handing him cords and connectors but by their puzzled looks and the redness of Lee’s face, it’s obvious something’s lacking between the ‘workers’ and ‘management’. Lee tries to explain to George what he’s doing with the system, but the result is akin to someone pointing to something for a dog while the animal simply stares at the person’s finger. Lee shifts his explanations to Matthew, but the response is the same. George and Matthew exchange dumb looks, knowing they are out of their depth.
An audio visual guy the hotel has hired emerges from behind the stage and begins to tell Matthew that the bass amp should have a line out that Lee can run straight into the main system. Matthew agrees to let him examine his amplifier. “See…it’s this area right here. You just have to twist… this connector thingy… and…uh.” The AV guy sheepishly hands Matthew the component he’s just broken off. Matthew stares down into the palm of his hand. The technician quickly finds something across the ballroom that needs his attention, and he is not seen again for the rest night.
At this point Geri from the hotel arrives
to check to see if the band needs anything.
Matthew looks down again at the broken piece.
She brings George a brand new red tie. It even
has the tag still on it.
He gladly accepts (although he secretly wishes
for ponies like Lee’s). After she leaves, George
admits to Matthew that he is nearly 41 years old
and has never learned how to tie a tie. Matthew
graciously obliges, and ties it for him.
See Matthew's Guide to tying a
Windsor Knot Here
Lee finishes with the equipment. Lee’s color has
returned to normal. The three sound check and
then head across the street to Quizno’s for a
quick bite to eat.
The trio return, adjust their ties, and go
to work. In addition to the group’s core songs,
the three introduce a number of new tunes
they’ve been working on from Billy Joel, Bonnie
Raitt, Sting, Van Morrison, CCR, John Hiatt and
others.
The new material ignites the three and the
excitement spills to the audience. Even though
the band stops for the obligatory announcements
throughout the evening, the momentum keeps going
strong.
Towards the end of the evening, the hotel’s general manager, Al Stento begins the raffle segment. The trio really play this up: Lee’s doing drum rolls, and George and Matthew improvise game show music as winning tickets are drawn. Al responds to this silliness by announcing the winners in his best David Letterman impersonation, throwing the prize cards behind the stage. The band accentuates the card impacts, the crowd loves it.
After the raffle, the evening begins to
taper off and the music winds down. Matthew and
George convince the servers at the ice sculpture
bar to allow them to stick their tongues to the
side of the bar (this sadly has become a band
tradition between these two)
As the guys pack up the equipment, Al and the
management thank them and talk of future
opportunities. In the parking lot, the trio
celebrate that they’ve made it through this
potentially disappointing gig unscathed. As
George gets into his car and slowly drives away,
he looks down at the red tie he’s confiscated
and smiles a sly smile.
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